Sadly, such beauty also comes with a price. The picturesque location means the car park is located a reasonable distance away from the campsite itself. This would be perfectly fine if there were enough buses available to shuttle people up and down but on Friday there wasn't. The choice was to either wait on a bus - for what transpired to be well over an hour - or to take your chances on the walk while weighed down with camping gear. Such an unnecessary predicament can often be the precursor to a torrid festival experience but thankfully, it proved to be nothing more than an initial blip on an otherwise top-notch weekend.
Now in its fifth year, KnockanStockan has developed and grown through a commendable independent and DIY ethos, serving as a vital cog in the unsigned Irish music scene. A cursory glance at the stage times shows no mention of the Black Eyes Peas but beyond the fireworks and extravagant light-shows that would accompany such big hitters, there lies real talent and depth on show here. Enemies note-perfect post-rock workings were the highlight of the Friday night, dominating the Moon stage with an admirable confidence, while Scarecrow Disco blew the roof off a packed Circus Tent after sadly announcing it was to be their final gig. The arena itself was perfectly balanced, with the large Circus Tent and two outdoor stages ensuring there was always something to catch, with little noise overpsill evident. The real master-stroke however was the addition of the Faerie Fields. Similar to the other-worldly environs of Body and Soul, this little haven was adorned with chill-out areas, sanctual teepees and a performance area that played host to numerous DJs, hoola-hoopers and jaw-dropping fire performers. As well as offering another area to immerse oneself in, it also balanced the site perfectly, serving as an idyllic sanctuary away from the main stage and hectic confines of the camping area.
Ghostbusters: Moon Stage |
Come On Live Long |
Kudos must be paid for the reasonably priced alcohol (not to mention the ability to carry your own as you see fit), the diverse food selection, the designated family camping area and the general organisation and commitment from the team of volunteers (and the bands themselves) - none of whom get paid. It may seem trite to continually flaunt the organic, wholesome ethos on which KnockanStockan is based but when it is so undeniably palpable it really is hard to ignore. There are no haughty restrictions, nor heavy handed security, just a reasonable, balanced attitude towards having fun while catching some great, great bands. In a world of rising ticket prices and generic superstar names, KnockanStockan occupies an enviable, untainted little niche; one devoid of corporate pull or spin and one which proves the cliché of 'being in it for the music' is more than worthless hyperbole.
As word of mouth regarding this friendly, relaxed vibe gets out, more and more will undoubtedly flock to Wicklow to sample it. Never the less, the organisers should resist the temptation to grow too big. Its main strength lies in its intimacy, with a larger scale only likely to present logistical headaches that would ultimately deviate from its core values. As it stands, with the current locale, size and set-up, KnockanStockan has found the perfect mould and it's one that makes it the best kept secret on the Irish festival circuit.
The arena towards the Circus Tent |
Fire Performers: Faerie Fields |
The Stoney Brokes |
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