Showing posts with label Wild Beasts. Show all posts
Showing posts with label Wild Beasts. Show all posts

Tuesday, January 17, 2012

STL's Top Songs Of 2012:: Part Three - 20 - 1



>>> Part One: 60 - 41

>>> Part Two: 40 - 21

And now...le finalé.



20) Patrick Kelleher – ‘Broken Up Now’

Patrick Kelleher followed up his stunning debut with Golden Syrup, an album which took him and his Cold Dead Hands in even stranger and more intriguing directions. Some of these new ventures worked and some didn’t. Surprisingly however, the one which made the most lasting impression on me was the most simple one; a short and sweet little concoction that's fuelled by anxiety and unsurity.

05 Patrick Kelleher and his Cold Dead Hands - Broken Up Now by Patrick Kelleher


19) Austra – ‘Lose It'

Flourishing in the wake of last year's SXSW festival, Austra's vocal pirouettes captivated many, including myself. Just listen to that voice.

Austra - Lose It by Annie Mac Presents


18) Dog And Panther – ‘Giant Hands’

This song came out of nowhere, gripped me by the heartstrings and never really let go. A stirring, emotive little ballad full to the brim with romantic grandeur.

Dog And Panther - Giant Hands by French Kiss


17) Tandem Felix – ‘Canyons’

Another of my favourite home-grown bands to emerge this year and one deserving of much greater exposure. Taken from their Tweedledee collection, ‘Canyons’ is the pinnacle of a band whose hushed, sweeping sound came to dominate many of my late nights in 2011.

Canyons by Tandem Felix


16) Outfit – ‘Two Islands’

The debut single from this Liverpudlian lot is a dense, enthralling affair, laden with gothic touches and an absolute belter of a refrain. More please.

DD007 A1: Outfit // Two Islands by Double Denim Records


15) Tara Masterson Hally – ‘Down We Lay'

One of my favourite finds of the year. A fledgling Irish songstress whose minimal acoustic laments were lined with cathartic rumblings and a beautiful, soul-stirring voice. On first hearing I described it asmusic for the late night walk home, with only shadows for company” and nearly a full year on I still feel this sums it up best. 

  Down We Lay by Tara Masterson Hally


14) Hush War Cry – ‘Lily’

With nods to both the brooding work of Echo and the Bunnymen and the playful duo-vocals of Wild Beasts, the first track from this Cork outfit is incredibly accomplished. A tantalising debut effort.

  Hush War Cry - Lily by echoparade


13) James Blake – ‘The Wilhelm Scream’

Blake’s debut album and I never fully meshed, and only certain tracks did I truly get what all the fuss was about. None more so than on the spectral and haunting ‘Wilhelm’s Scream’. As it transpired this track was in fact a re-working of James Litherland's 'Where To Turn', which Blake's own Father produced back in the day.



  James Litherland - Where To Turn by abeano 


12) - The Gorgeous Colours – ‘Chopped Heart’ / 'It's OK To Be Normal'

With two fantastic singles this year it was a difficult choice of which Gorgeous Colours’ track to include...so much so that I decided to join them at the hip. ‘Chopped Heart’ is sprightly and warming, while ‘It’s OK To Be Normal' is mournfully beautiful. Enjoy them both, according to your current mood. Needless to say - I'm looking forward to that new album immensely.

  Chopped Heart by The Gorgeous Colours

It's Ok To Be Normal by The Gorgeous Colours


11) M83 – ‘Midnight City’

Euphoric and intoxicating; this is music made for the late night dash into town, the city lights luring substance-lined veins closer into its jaws. 
    Midnight City by M83 


 10) Tieranniesaur – ‘Sketch!’

If there was an award for the funnest album of the year (and there should be) then Tieranniesaur’s debut effort would snap it up easily. Bursting at the seams with super vibes of the funk, pop and disco variety, it bounced out of the speakers with a strut and a swagger and on ‘Sketch'  head honcho Annie Tierney delivers the sassiest of put-downs. God help that person in question.


  Sketch! by fihyde


9) We Cut Corners – ‘Go Easy’

'Go Easy' arrived in a year which saw We Cut Corners finally deliver their debut album, winning over many with their melodic and powerful tones in the process. Not bad for a pair of school teachers. 

  We Cut Corners 'Go Easy' by The Delphi Label


8) Lana Del Ray - ‘Video Games’
 

Hard as it may be, if we ignore the hype (and the subsequent backlash) then what we are left with is a beautiful track from a beautiful singer. That's good enough for me.

  Lana Del Ray - Video Games by editradio


7) The Drums – ‘Money’

Effortlessly simple indie-pop that sticks to your synapses. Not every track on this list is going to alter your perspective on life; some – like this one - just make it a lot better for a few minutes.

  The Drums - Money by orchardmktg 


6) Spies - ‘Barricade’ 

Following up on last year’s top notch debut EP, new single ‘Barricade’ (and its accompanying B-Side ‘Weaker Body’) brought more of the same compelling tightness, gushing riffs and startlingly mature lyrical capacity from the Spies lads. New to the fore on this occasion however, was a far greater appreciation for an anthemic chorus - an attribute that should hold them in good stead for a prosperous 2012 and beyond.

  Barricade by spiesdublin


5) Moths – ‘<3’

There’s not much else to say about 18-year-old Jack Colleran, that hasn’t already been said. His homespun electronic beats have been written about and digested the world over and if recent developments are anything to go by, big things lie ahead. 'Blisters' is among my most played tracks of the year but '<3' and it’s chilled, summery vibes are the standout. Exciting times.

  <3 by MMOTHS


4) Clock Opera – 'Belongings'

This delicate, piano-led lullaby surges, morphs and blossoms into a mesmerising  rhythmic flurry…and then you realise you haven’t blinked in 3 minutes. Such a beautiful track.

Belongings by clockopera


3) The Horrors – ‘Still Life’

The sound of a million epiphanies played out by way of a warped, yet euphoric beat. A seminal and life affirming piece of music.

The Horrors - Still Life by The Recommender


2) Wild Beasts – ‘Reach A Bit Further'

The pinnacle of an album where Wild Beasts confirmed their status as one of the most interesting, unique and quite simply best bands in the world. The manner in which the twin vocals tease and toy with each other is simply magnificent. For full effect savour the acoustic version from Paris, c’est magnifique.

Wild Beasts / Reach A Bit Further by Constellations Festival


Wild Beasts, garage session from Télérama on Vimeo.



1) Jape – ‘The Oldest Mind’

The most pertinent example yet as to why Richie Egan is among our most talented and treasured artists. Lyrically it is astute and cerebral, musically it is inventive and challenging. I ached over how to do an album like Ocean Of Frequency justice; re-writing and re-formatting the review numerous times before leaving it in a regretfully growing 'to-do' pile. In short OoF is incredible. It is a bold piece of work that stretches the Jape modus operandi in captivating new ways and rewards the earnest listener with an array of intriguing and absorbing sounds and textures. This track, and this record, mark a magnificent pinnacle in Jape's evolution, and you get the feeling that yet more exciting experimentation and barrier breaking work lies ahead. When you consider the group's humble, acoustic-centred beginnings such an evolution is all the more commendable. In saying that, they can still do the simple thing well – check out the superb 'Lying On A Deathbed’ as reference.

  Jape - The Oldest Mind by theyounglion


Thursday, May 5, 2011

New Video: Wild Beasts - Acoustic Session


Much props to Daniel over at Electric Whipcrack for this gem. As part of 'La Garage Session' you can watch Wild Beasts perform a stripped down acoustic take on three numbers from their new album Smother - 'Reach A Bit Further', 'Bed Of Nails' and 'Deeper'.

Smother has been worming its way into my bones over the past few days and it just gets better and better with every listen. After the 'dancing cocks', wanton lust and general debauchery of Two Dancers, this new record is a soothing antidote; the calm after the storm. Perfectly measured and impeccably produced it's a stirring, emotive and accomplished piece of work from a band now showing incredible depth and promise far beyond that of their initial brave and bulging debut.

Smother is released on Friday and is currently streaming over at Domino.



Wild Beasts, la garage session from Télérama on Vimeo.

Wednesday, May 4, 2011

More additions to the Forbidden Fruit Festival


Not content with already boasting one of the best festival line-ups this side of Glastonbury, Forbidden Fruit has added another batch of names for their inaugural June Bank Holiday soiree.

 
On Saturday June 4 the likes of The Flaming Lips, Bombay Bicycle Club and Wild Beasts will now be joined by mental beat-boxer Beardyman, Belgian electro-heads The Subs, and London producer Rory Phillips

On Sunday June 5, joining Caribou, Battles and Aphex Twin will be Carte Blance (DJ Mehdi and Riton), French electro pair Logo and Brooklyn's Favourite Sons, while The Trinity Orchestra will open proceedings with a full orchestral performance of Daft Punk’s Discovery (amazing video below).


While it's obviously great to see such mega international names on board, you also have to give the organisers credit for showcasing the very best in Irish talent at the same time. Kid Karate, Ham Sandwich, Bipolar Empire and Spies are all playing the Lighthouse Stage on the Saturday, while The Richter Collective will be curating the same space on the Sunday bringing the likes of The Cast Of Cheers, Enemies and Squarehead with them, while I also can't wait to finally catch Solar Bears' live show.

FF takes place in the grounds of the Royal Irish Hospital Kilmainham, Dublin and tickets priced €49.50/day or €90 for the weekend are on sale now. Full line-up and tickets: http://www.forbiddenfruit.ie

I plan on doing a proper preview post on the pick of the line-up soon but for now have a listen to some of the acts below:



  Beardyman live @ Reading Festival 2010 by Beardyman  

  Wild Beasts - Albatross by DominoRecordCo  


  The Subs - Mitsubitchi by THE SUBS 


  Safe For All Seasons by FavouriteSons

  Spies - Barricade by spiesdublin  

  Solar Bears-Primary Colours At The Back Of My Mind by demiliv 
  Tip Of My Tongue by Bitches With Wolves music  


  Pass Out (Tinie Tempah Cover) by Kid Karate 

  Feel That You Own It by Bipolar Empire








Friday, April 8, 2011

New Video: Wild Beasts - 'Albatross'


This new one from Wild Beasts is growing on me with every listen. Initially I expected more from a 'comeback single' and was underwhelmed by it's lack of aggression but its subtle beauty has now managed to work its way into my pores. Sumptuous and reflective, its soothing tones are matched by an equally beautiful, avante-garde video where the band watch over a set of female dancers...

New album Smother is out on May 9 and Wild Beasts play Forbidden Fruit this June Bank Holiday weekend.

Tuesday, March 8, 2011

New Music: Wild Beasts - 'Albatross'


Oh yes. After the rip-rollicking ride through medieval mental-ness and wanton lust that was Two Dancers, Wild Beasts are back.

The first track to emerge from the new material is a track called 'Albatross' and though immediately recognisable it's clear things aren't quite as 'wild' this time off. 'Albatross' arrives as a more tranquil affair altogether - lush, with a sumptuous spine, and delicately dressed in typically high pitched vocals and matching quiet swoons. In truth, I kept waiting for it to kick in but on repeated listens I've come to appreciate it as a more reflective, soothing number; a dipped toe into the new album which will surely boast the usual flurry of oblique references and triumphant tunes.

The song will also be free to download from the band's Facebook page from tomorrow.

Wild Beasts play this years Forbidden Fruit festival at IMMA, Kilmainham.

 Wild Beasts - Albatross by DominoRecordCo 

Tuesday, February 22, 2011

Forbidden Fruit Festival - Lineup announced

Wow, wow and extra wow - where in God's name did this come from? The line-up for Forbidden Fruit, a new festival from Bulmers and Pod, has been announced and it makes for amazing reading. 

Taking place over 2 days in the grounds of Royal Hospital Kilmainham in Dublin, it sees the likes of Wild Beasts, Caribou, Solar Bears, The Flaming Lips and Battles take to the stage over the June bank holiday weekend. 

Full line-up below. Tickets on sale tomorrow priced  €45 and €90. Get on it!                 



// Official Site //

DAY 1 - SAT 4TH JUNE







Thursday, April 22, 2010

Live Review: Wild Beasts, Villagers and Lone Wolf @ The Academy [27th March 2010]


Having originally booked tickets solely for Wild Beasts at the Academy last month, I was over-joyed when I discovered the support slot would be comprised of none other than Villagers; the collective term for previous The Immediate member Conor O'Brien's solo endeavour. Having pinned my hopes on the now defunct The Immediate as the saviour of the Irish music scene, I had been desperate to catch Villagers since hearing their first snippets of material last year. Such wishes had been dashed by a series of unavoidable events, thus on a balmy Saturday evening I set forth for The Academy; ticket super-glued to my head, masses of time to spare and brimming with excitement. 

Alas, 'when it rains it pours', 'wait all day for a bus and two come at once'...pick whatever trite saying necessary, but it appeared my luck of the Villagers support slot was well and truly in tow as I stepped into the venue to be greeted by an unassuming bloke with a guitar. This bloke turned out to be Lone Wolf, who in turn, transpired to be a truly excellent song-writer. Despite having no backing band (living up to his name...dum dum tish), and several sound issues, the couple of dozen souls in attendance were greeted to a treat, as he bucked the trend of the typical singer songwriter, serving up carefully layered, joyous songs with a rousing backbone. Particularly captivating was latest single 'Keep Your Eyes On The Road', which harbours enough creativity to be spread across three separate tracks, yet dips and weaves unexpectedly to develop into one of the songs of the year so far. Accompanied by a stop motion promo-video of equally astounding quality, the track will find it's home on Lone Wolf's latest album The Devil And I, which shall be eagerly sought out upon it's release on May 17.





Meanwhile, the buzz which has surrounded Villagers  in recent months was evident as the sold-out crowd filled close to capacity as Conor and comrades took to the stage. Fresh from SXSW, where they received rave reviews, and with the American release for their debut subsequently secured, they launched into a stirring set with the confidence of a band who know they're onto something special. The crowd hang on O'Brien's every word as he delivers a masterclass in songwriting; delicate arrangements give way to surging finale's and the air hangs silent in The Academy as O'Brien's voice transforms into a series of surging, eerie howls at the end of Pieces. There's an incredibly emotive and personal element to Conor's work and though it is clear the songs were crafted through a solo endeavor the presence of the other members of the band should not be understated as their subtle arrangements yields a depth far greater than the typical backing band's endeavours. Having recently signed to Domino Records and having performed on the Jools Holland show last week, these are exciting times for Villagers and it's truly heartening to see such a shining light rise from the ashes of The Immediate. Impassioned, memorable and well and truly worth the wait.





As the masses retreat to the bar, drained and amazed by Villagers stirring efforts, the pressure was on Wild Beasts to reassert their headline status. Thankfully, they rise to the occasion. Taking to the stage amid a background of pulsing fairy lights, Conor O'Briens lingering howls are soon replicated by a haunting set, full of the verve and darkness for which they have come to be known. From the settled opening of The Fun Powder Plot to the playful Brave Bulging Buoyant Clairvoyants (which one suspects is the closest they'll get to a conventional pop song), the set gains momentum which each track as Hayden Thorpe and Tom Fleming swap vocal duties with equal aplomb, meandering through tales of troubled anarchy and aristocracy. Brooding and reflective, Wild Beasts are as captivating live as on record and for a band with one of the best album's of recent years in the form of Two Dancers, this is a high compliment indeed. A night of three very different yet equally rewarding artists comes to a close amid the finale of 'Hooting and Howling' which presents the closest to a mosh-pit one would find at a gig of this kind. Although on the whole Wild Beasts' set may lack a certain sing-along element, one feels there are enough identikit bands providing such a feat week in week out for this not to matter. True originality is there to be celebrated and it is the inability to pigeon hole Wild Beasts that is perhaps their greatest strength, such is their awe-inducing creativity. Weird, wonderful and incredibly unique, Wild Beasts are the introspective loner of the classroom, skulking quietly misunderstood in the shadows yet seemingly always destined for greatness.